{"id":230,"date":"2012-10-25T20:50:37","date_gmt":"2012-10-26T00:50:37","guid":{"rendered":"http:\/\/www.shakabrown.com\/home\/?p=230"},"modified":"2012-10-25T20:50:37","modified_gmt":"2012-10-26T00:50:37","slug":"5-rules-to-preparing-your-performance-music-so-it-doesnt-sound-like-crap","status":"publish","type":"post","link":"https:\/\/www.shakabrown.com\/home\/5-rules-to-preparing-your-performance-music-so-it-doesnt-sound-like-crap\/","title":{"rendered":"5 Rules to Preparing your Performance Music (So It Doesn&#8217;t Sound Like Crap)"},"content":{"rendered":"<figure id=\"attachment_310\" aria-describedby=\"caption-attachment-310\" style=\"width: 200px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.shakabrown.com\/home\/2012\/10\/5-rules-to-preparing-your-performance-music-so-it-doesnt-sound-like-crap\/\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-310  \" title=\"shakabrown-play-pause\" src=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-play-pause.jpg\" alt=\"Preparing your sound is a crucial part of your show.\" width=\"200\" height=\"229\" \/><\/a><figcaption id=\"caption-attachment-310\" class=\"wp-caption-text\">Preparing your sound is a crucial part of your show.<\/figcaption><\/figure>\n<p>How many times have you handed your music to the DJ for your performance and, when you get on stage, it doesn&#8217;t sound quite right? \u00a0When your sound isn&#8217;t consistent, your performance suffers. Here are a few things you can do to help guarantee that everything goes smoothly from the first to the last second of your performance. This is intended to be non-software specific&#8230; and only a little geeky.<\/p>\n<p><!--more--><\/p>\n<h3>Rule #1 &#8211; Stay as close to the original as possible.<\/h3>\n<p>It&#8217;s inevitable that your music will go through several edits on the way to you deciding that it&#8217;s ready. When editting your music, you want to start with the highest quality recording possible, and always make your edits to the original source! Remember GIGO, which simply means &#8220;Garbage In, Garbage Out&#8221;. \u00a0The first thing you will usually do is import your music from CD, or you will already have the music in an mp3 format. MP3 is a compressed format, with a specified bitrate.<\/p>\n<p><iframe loading=\"lazy\" title=\"ShakaBrown.com Why you should keep your mp3 bitrate close to the original.\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/-quRg8YEM7w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Bitrate primer. When converting analog to digital, there is\u00a0going\u00a0to be a quality loss (it&#8217;s inevitable). The bitrate determines how much information will be kept (in comparison to the original), and how much will be thrown away. Take for example a box of crayons. If you want to copy a picture, the more colors you have available, the better copy you can make. \u00a0Now say you only have access to 3 colors. You probably will not end up with a photorealistic interpretation. If you must work with an mp3, make sure that it&#8217;s imported at 192kbps, and it will most likely be as close to the CD as you can reasonably get.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_309\" aria-describedby=\"caption-attachment-309\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-309\" title=\"Shaka Brown same Picture in reduced colors\" src=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-Color-degrade.jpg\" alt=\"Shaka Brown same Picture in reduced colors\" width=\"400\" height=\"200\" \/><figcaption id=\"caption-attachment-309\" class=\"wp-caption-text\">256 Colors, 64 Colors, and 4 Colors. See the difference? The same thing happens to your sound.<\/figcaption><\/figure>\n<p>It&#8217;s very important to note that the quality of your music will be determined by the lowest bitrate that it was ever saved. If you take a 192kbps recording and save it with a new compression of, say 64bps. Then you play it and realize &#8220;Oh, this sounds like twice fried caca&#8221;, so you then take that 64kbps file and save it as 192kbps, guess what you will have? If you guessed &#8220;Triple-fried caca&#8221; then you are right. \u00a0So always work as close to the source as you can, and you can be sure that your sound quality won&#8217;t degrade significantly \u00a0as your choreography develops.<\/p>\n<p>If you are playing the full song , uncut, with no speed\u00a0modifications\u00a0 then this does not apply to you. But please <a title=\"5 ways to Improve Your Performance\" href=\"http:\/\/www.shakabrown.com\/home\/2012\/10\/5-ways-to-improve-your-performance\/\">read this article on creating a hot performance<\/a>.<br \/>\n<!--nextpage--><\/p>\n<h3>Rule #2 &#8211; Maintain Consistent Levels between your edits.<\/h3>\n<p>So your routine starts with your voiceover introduction that you recorded on your iphone, then you sampled some dialog from &#8220;The Dark Knight&#8221; before you put in the beginning of Carmina Burana&#8217;s &#8220;O Fortuna&#8221; which fades into an underground track that your buddy in Turkey sent you from an 8-Track that he found in his uncle&#8217;s basement? I hate those routines. The least you can do is make sure that your levels are consistent in the final product.<\/p>\n<p>Your editing software should allow you to view the waveform of your final product. This is a visual representation of how your music will sound. Big peaks are big sounds. Valleys are quiet. Look at the overall balance of your music, and make sure that it doesn&#8217;t suddenly jump from quiet to loud unintentionally. For example, a gunshot should be very visible on your waveform. Most other things should not.<\/p>\n<figure id=\"attachment_311\" aria-describedby=\"caption-attachment-311\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-311\" title=\"shakabrown-bad-levels\" src=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-bad-levels.jpg\" alt=\"Bad Levels in the Waveform\" width=\"400\" height=\"200\" \/><figcaption id=\"caption-attachment-311\" class=\"wp-caption-text\">Notice the sound level has a big jump halfway through. This is jarring to the audience.<\/figcaption><\/figure>\n<p><!--nextpage--><\/p>\n<h3>Rule #3 &#8211; Save your recording in mono.<\/h3>\n<figure id=\"attachment_307\" aria-describedby=\"caption-attachment-307\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-revolucionando-original.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-307\" title=\"shakabrown-revolucionando-original\" src=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-revolucionando-original.jpg\" alt=\"Revolucionando - New Swing Sextet, Original\" width=\"400\" height=\"200\" \/><\/a><figcaption id=\"caption-attachment-307\" class=\"wp-caption-text\">Revolucionando &#8211; New Swing Sextet. Notice the top and the bottom waveforms are not the same.<\/figcaption><\/figure>\n<p>While preparing a performance to the New Swing Sextet&#8217;s &#8220;Revolucionando&#8221;, we felt great in the studio rehearsing, however when we performed at the Chicago Salsa Congress, the music didn&#8217;t sound right. It was only then that we realized the stereo recording has drastically different instruments playing on the right and left channels. People on the right side of the room were hearing something different than those on the left! Luckily the DJ was able to switch the mixer output to &#8220;mono&#8221;, which sent the same signal to both speakers. At the next venue that we performed I clearly wrote on the CD &#8220;Set to MONO&#8221; for the DJ. But the mixer didn&#8217;t have that option.<\/p>\n<p>Don&#8217;t depend on the DJ, or the equipment, to make your music sound right. Save your music in mono, and you will get consistent sound from the speakers. This is especially important when you are in a venue that may only use one channel for your monitors (monitors are the speakers that play towards the performers in order for them to hear what the audience is hearing)<\/p>\n<figure id=\"attachment_306\" aria-describedby=\"caption-attachment-306\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-306\" title=\"shakabrown-revolucionando-mono\" src=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-revolucionando-mono.jpg\" alt=\"New Swing Sextet - Revolucionando - Mono\" width=\"400\" height=\"200\" \/><figcaption id=\"caption-attachment-306\" class=\"wp-caption-text\">New Swing Sextet &#8211; Revolucionando &#8211; Saved in Mono Format. The top and bottom (Left+Right) channels are the same.<\/figcaption><\/figure>\n<p><!--nextpage--><\/p>\n<figure id=\"attachment_308\" aria-describedby=\"caption-attachment-308\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-pioneer-cd.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-308\" title=\"shakabrown-pioneer-cd\" src=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-pioneer-cd.jpg\" alt=\"Test your music in Tech Rehearsal\" width=\"400\" height=\"200\" \/><\/a><figcaption id=\"caption-attachment-308\" class=\"wp-caption-text\">Test your music in Tech Rehearsal<\/figcaption><\/figure>\n<h3>Rule #4 &#8211; Test your music before you perform.<\/h3>\n<p>There will usually be a tech rehearsal before the main event. Tech rehearsal is designed for performers to feel out the stage space, make sure their music sounds right, and possibly make some speed adjustments based on those two factors. \u00a0I have seen countless performers come to tech rehearsal with their song on an ipod, and promise to bring the DJ a CD later on that night. That ruins the point of tech rehearsal! \u00a0When you bring your music &#8220;for the DJ to play later&#8221;, you are\u00a0setting\u00a0yourself up for disaster. &#8220;Later&#8221; is usually during showtime, and this is not the time that you will be able to coordinate your speed and sound settings, because the DJ is focusing on the ongoing performances. \u00a0Demonstrate your professionalism by coming to tech rehearsal with your music in the proper format, and you will be at ease knowing that your performance will sound exactly the same way later that evening.<br \/>\n<!--nextpage--><\/p>\n<figure id=\"attachment_312\" aria-describedby=\"caption-attachment-312\" style=\"width: 200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-312 \" title=\"shakabrown-one-cd\" src=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-one-cd.jpg\" alt=\"One Performance. Once CD. One Track.\" width=\"200\" height=\"229\" \/><figcaption id=\"caption-attachment-312\" class=\"wp-caption-text\">One Performance. Once CD. One Track.<\/figcaption><\/figure>\n<h3>Rule #5 &#8211; One Performance. One CD. One Track.<\/h3>\n<p>It&#8217;s awesome that you have 3 songs that you will be\u00a0dancing\u00a0to in your performance. It&#8217;s not awesome that you give the DJ a CD with 3 different tracks on it. Or you give her 3 separate CDs. \u00a0Professional CD players (like the ones on a DJ rack) are typically set to either play one song and stop, or play continuously (sometimes they even repeat when they reach the end.) When the DJ has to turn into a mixmaster during your performance, you are running the risk of your song starting late. Or early. Or not at all. Finalize your music and hand it off to the DJ with all the mixes, blends, bells and whistles, in one track.<\/p>\n<p>True Story- Someone handed the DJ two CDs for their performance and said the following:<\/p>\n<blockquote><p>&#8220;Play track 4 or this CD, and then around 3:35 cut over to track 7 on this other CD, then fade it down when we look at you.&#8221;<\/p><\/blockquote>\n<p>The DJ&#8217;s response made perfect sense to me:<\/p>\n<blockquote><p>&#8220;No.&#8221;<\/p><\/blockquote>\n<p>The DJ is not there to mix your music. They will press &#8220;play&#8221;, look at how long the track is, check the volume, and then they are free until the song ends. They may step out to the restroom, or to the bar. They may prepare the music set for that evening. They will be cueing up the next performance. They will be putting together intermission music. There&#8217;s a good chance they won&#8217;t even see your show.<\/p>\n<figure id=\"attachment_313\" aria-describedby=\"caption-attachment-313\" style=\"width: 200px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-dj-renzo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-313\" title=\"DJ Renzo - Washington DC-Based DJ\" src=\"http:\/\/www.shakabrown.com\/home\/wp-content\/uploads\/2012\/10\/shakabrown-dj-renzo.jpg\" alt=\"DJ Renzo - Washington DC-Based DJ\" width=\"200\" height=\"229\" \/><\/a><figcaption id=\"caption-attachment-313\" class=\"wp-caption-text\">DJ Renzo &#8211; Washington DC-Based DJ<\/figcaption><\/figure>\n<p>What you can request of the DJ during tech rehearsal is that they make speed adjustments to the music, and let them know if you begin onstage or off. A good DJ will have this in their notes, and double check the settings before cueing up the music.<\/p>\n<p>DJ Renzo, Washington DC-based DJ who has managed performances around the globe has the following to offer:<\/p>\n<blockquote><p>&#8220;If you give me a CD for your performance, make sure that it isn&#8217;t scratched. CDs are cheap enough that you can burn one for the performance, and then throw it away. You dont need to save it for your next performance 2 weeks later. \u00a0Also, if you give me the music via a USB, or email, make sure it&#8217;s a format that I will be able to play. MP3 is universal. Don&#8217;t send me an M4a, or some other encoding. Make it easy for me, and I&#8217;ll make sure that you get the sounds you need to do your thing.<\/p>\n<p>When specifying your speed adjustments, use percentages. Dont ask me to speed it up +3, or slow it down -1. That number doesn&#8217;t mean anything. If you tell me &#8220;increase the speed by 2.6%, keeping the pitch locked&#8221;, then I will take care of you.&#8221;<\/p><\/blockquote>\n<p>In Summary:<\/p>\n<ol>\n<li>Rule 1 &#8211; Stay as close to the original as possible<\/li>\n<li>Rule 2 &#8211; Maintain Consistent levels between edits.<\/li>\n<li>Rule 3 &#8211; Save your final recording in mono.<\/li>\n<li>Rule 4 &#8211; Test your music before you perform.<\/li>\n<li>Rule 5 &#8211; One Performance, One CD, One Track.<\/li>\n<\/ol>\n<p>Keep these things in mind when editting your music, and you will be well on your way to hearing what every performer lives for &#8211; thunderous applause!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Preparing your music properly is a crucial part of your performance. Shaka Brown shares some basic rules on sound preparation. <\/p>\n","protected":false},"author":1,"featured_media":638,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-shaka-brown-articles","entry"],"_links":{"self":[{"href":"https:\/\/www.shakabrown.com\/home\/wp-json\/wp\/v2\/posts\/230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.shakabrown.com\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.shakabrown.com\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.shakabrown.com\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.shakabrown.com\/home\/wp-json\/wp\/v2\/comments?post=230"}],"version-history":[{"count":0,"href":"https:\/\/www.shakabrown.com\/home\/wp-json\/wp\/v2\/posts\/230\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.shakabrown.com\/home\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.shakabrown.com\/home\/wp-json\/wp\/v2\/media?parent=230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.shakabrown.com\/home\/wp-json\/wp\/v2\/categories?post=230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.shakabrown.com\/home\/wp-json\/wp\/v2\/tags?post=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}